{"id":17956,"date":"2016-07-01T14:49:03","date_gmt":"2016-07-01T13:49:03","guid":{"rendered":"http:\/\/3.230.254.106\/?post_type=exhibition&#038;p=17956"},"modified":"2016-07-01T14:49:03","modified_gmt":"2016-07-01T13:49:03","slug":"made-in-l-a-2016-a-the-though-only-2","status":"publish","type":"exhibition","link":"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/","title":{"rendered":"Made in L.A. 2016: a, the, though, only"},"content":{"rendered":"<p><\/p>\n<p class=\"p2\">The third iteration of the Hammer\u2019s biennial exhibition continues to highlight the practices of artists working throughout Los Angeles and the surrounding areas.<\/p>\n<p class=\"p3\">As part of an ongoing series, <em>Made in L.A. 2016: a, the, though, only<\/em>\u00a0addresses Los Angeles as a center of activity inseparable from the global network of art production and reveals how artists move fluidly between contexts and respond to their local conditions.Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> extends into such disciplines as dance, fashion, literature, music, film, and performance.<\/p>\n<p class=\"p3\">Rather than a unifying regional aesthetic, sensibility, or identity historically associated with Los Angeles, <em>Made in L.A. 2016<\/em> focuses on artists from different disciplinary backgrounds, allowing individual projects and bodies of work to shape the overall exhibition. It features condensed monographic surveys, comprehensive displays of multiyear projects, the premiere of new bodies of work, and newly commissioned works from emerging artists.<\/p>\n<p class=\"p3\">Organized by Hammer curator Aram Moshayedi and Hamza Walker, Director of Education and Associate Curator at the Renaissance Society in Chicago, <em>Made in L.A. 2016<\/em> is on view June 12 \u2013 August 28, 2016 at the Hammer Museum. Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> includes 26 contributing artists and participants.<\/p>\n<p><strong>Participants:<\/strong><\/p>\n<p><strong>Kelly Akashi<\/strong> (b. 1983, Los Angeles, CA) \/\u00a0<strong>Huguette Caland<\/strong> (b. 1931, Beirut, Lebanon) \/\u00a0<strong>Eckhaus Latta<\/strong> (est. 2011; Zoe Latta, b. 1987, Santa Cruz, CA, Mike Eckhaus, b. 1987, New York, NY) <span class=\"s1\">\/\u00a0<\/span><strong>Rafa Esparza<\/strong> (b. 1981, Los Angeles, CA) \/\u00a0<strong>Lauren Davis Fisher<\/strong> (b. 1984, Cambridge, MA) \/\u00a0<strong>Todd Gray<\/strong> (b. 1954, Los Angeles, CA) \/\u00a0<strong>Joel Holmberg<\/strong> (b. 1982, Bethesda, MD) \/\u00a0<strong>Margaret Honda<\/strong> (b. 1961, San Diego, CA) \/\u00a0<strong>Arthur Jafa<\/strong> (b. 1960, Tupelo, MS) \/ <strong>Labor Link TV<\/strong> (est. 1988; Fred Lonidier, b. 1942, Lakeview, OR) \/\u00a0<strong>Laida Lertxundi<\/strong> (b. 1981, Bilbao, Spain) \/\u00a0<strong>Adam Linder<\/strong> (b. 1983, Sydney, Australia) \/\u00a0<strong>Guthrie Lonergan<\/strong> (b. 1984, Los Angeles, CA) \/\u00a0<strong>Rebecca Morris<\/strong> (b.1969, Honolulu, HI) \/\u00a0<strong>Shahryar Nashat<\/strong> (b. 1975, Geneva, Switzerland) \/\u00a0<strong>Silke Otto-Knapp<\/strong> (b.1970, Osnabr\u00fcck, Germany) \/\u00a0<strong>Gala Porras-Kim<\/strong> (b. 1984, Bogot\u00e1, Colombia) \/\u00a0<strong>Sterling Ruby<\/strong> (b. 1972, Bitburg, Germany) \/\u00a0<strong>Aram Saroyan<\/strong> (b. 1943, New York, NY) \/\u00a0<strong>Kenzi Shiokava<\/strong> (b. 1938, S\u00e3o Paulo, Brazil) \/\u00a0<strong>Daniel R. Small<\/strong> (b.1984, Centralia, IL) \/\u00a0<strong>Wadada Leo Smith<\/strong> (b.1941, Leland, MS) \/\u00a0<strong>Martine Syms<\/strong> (b. 1988, Los Angeles, CA) \/\u00a0<strong>Kenneth Tam<\/strong> (b. 1982, New York, NY) \/\u00a0<strong>Mark Verabioff<\/strong> (b. 1963, Kingston, Canada) \/\u00a0<strong>Dena Yago<\/strong> (b. 1988, New York, NY)<\/p>\n<p>&nbsp;<\/p>\n<div class=\"BorlabsCookie _brlbs-cb-vimeo\"><div class=\"_brlbs-content-blocker\"> <div class=\"_brlbs-embed _brlbs-video-vimeo\"> <img class=\"_brlbs-thumbnail\" src=\"http:\/\/3.230.254.106\/wp-content\/plugins\/borlabs-cookie\/assets\/images\/cb-no-thumbnail.png\" alt=\"Vimeo\"> <div class=\"_brlbs-caption\"> <p>By loading the video, you agree to Vimeos's privacy policy.<br><a href=\"https:\/\/vimeo.com\/privacy\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Learn more<\/a><\/p> <p><a class=\"_brlbs-btn _brlbs-icon-play-white\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Load video<\/a><\/p> <p><label><input type=\"checkbox\" name=\"unblockAll\" value=\"1\" checked> <small>Always unblock Vimeo<\/small><\/label><\/p> <\/div> <\/div> <\/div><div class=\"borlabs-hide\" data-borlabs-cookie-type=\"content-blocker\" data-borlabs-cookie-id=\"vimeo\"><script type=\"text\/template\">PGRpdiBjbGFzcz0iX2JybGJzLWZsdWlkLXdpZHRoLXZpZGVvLXdyYXBwZXIiPjxwPjxpZnJhbWUgc3JjPSJodHRwczovL3BsYXllci52aW1lby5jb20vdmlkZW8vMTUyMzM0NDQ5IiB3aWR0aD0iNjQwIiBoZWlnaHQ9IjM2MCIgZnJhbWVib3JkZXI9IjAiIGFsbG93ZnVsbHNjcmVlbj0iYWxsb3dmdWxsc2NyZWVuIj48L2lmcmFtZT48L3A+PC9kaXY+<\/script><\/div><\/div>\n<p class=\"p1\"><strong>Catalogue<\/strong><\/p>\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only is accompanied by a fully-illustrated catalogue that functions as an extension of the exhibition. Built around a broad range of material, developed in collaboration with each participating artist and contributor, the catalogue includes commissioned essays and texts by artists, curators, critics, and writers, including George Clark, Mar\u00eda Palacios Cruz, Raquel Guti\u00e9rrez, Sandy Lajer, Sarah Lehrer-Graiwer, Sohrab Mohebbi, Ed Moses, Janet Sarbanes, Rachelle Sawatsky, Kitty Scott, Oscar Tuazon, and Robert Wilhite. The catalogue is designed by Joseph Logan Design, a New York-based design studio, and is co-published with DelMonico Books, an imprint of Prestel Publishing.<\/p>\n<p class=\"p1\"><strong>Programs<\/strong><\/p>\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only will be accompanied by a robust schedule of free public programs, including live performances, film screenings, a music series, conversations among participating artists, and student events. Programming information will be announced in May at <a href=\"https:\/\/hammer.ucla.edu\/\" target=\"_blank\">www.hammer.ucla.edu<\/a>.<\/p>\n<p class=\"p1\">\n<p class=\"p1\">\n<p><a href=\"https:\/\/hammer.ucla.edu\/made-in-la-2016\/\" target=\"_blank\">hammer.ucla.edu\/made-in-la-2016<\/a><\/p>","protected":false},"featured_media":17959,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"exh_abstract":"","exh_gallery":"Hammer Museum ","exh_city":"Los Angeles, CA","exh_country":"united_states","exh_startdate":"20160612","exh_enddate":"20160828","exh_caption":"","exh_slideshow":"0","exh_sidebarposts1":"0","exh_sidebarposts2":"0","exh_sidebarposts3":"0","exh_sidebarposts4":"0","exh_relatedcontent1":0,"exh_relatedcontent2":0,"exh_relatedcontent3":0,"exh_relatedcontent4":0,"exh_relatedcontent5":0,"exh_relatedcontent6":0,"exh_relatedcontent7":0,"exh_relatedcontent8":0,"_thumbnail_id":17959,"_exhibition_photo":17959,"_links_to":"","_links_to_target":""},"tags":[],"exhibition-type":[6],"opportunity-type":[],"class_list":["post-17956","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition-type-exhibitions"],"core_raw":{"post_title":"Made in L.A. 2016: a, the, though, only","post_content":"[:de]<p class=\"p2\">The third iteration of the Hammer\u2019s biennial exhibition continues to highlight the practices of artists working throughout Los Angeles and the surrounding areas.<\/p>\r\n<p class=\"p3\">As part of an ongoing series, <em>Made in L.A. 2016: a, the, though, only<\/em>\u00a0addresses Los Angeles as a center of activity inseparable from the global network of art production and reveals how artists move fluidly between contexts and respond to their local conditions.Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> extends into such disciplines as dance, fashion, literature, music, film, and performance.<\/p>\r\n<p class=\"p3\">Rather than a unifying regional aesthetic, sensibility, or identity historically associated with Los Angeles, <em>Made in L.A. 2016<\/em> focuses on artists from different disciplinary backgrounds, allowing individual projects and bodies of work to shape the overall exhibition. It features condensed monographic surveys, comprehensive displays of multiyear projects, the premiere of new bodies of work, and newly commissioned works from emerging artists.<\/p>\r\n<p class=\"p3\">Organized by Hammer curator Aram Moshayedi and Hamza Walker, Director of Education and Associate Curator at the Renaissance Society in Chicago, <em>Made in L.A. 2016<\/em> is on view June 12 \u2013 August 28, 2016 at the Hammer Museum. Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> includes 26 contributing artists and participants.<\/p>\r\n<strong>Participants:<\/strong>\r\n\r\n<strong>Kelly Akashi<\/strong> (b. 1983, Los Angeles, CA) \/\u00a0<strong>Huguette Caland<\/strong> (b. 1931, Beirut, Lebanon) \/\u00a0<strong>Eckhaus Latta<\/strong> (est. 2011; Zoe Latta, b. 1987, Santa Cruz, CA, Mike Eckhaus, b. 1987, New York, NY) <span class=\"s1\">\/\u00a0<\/span><strong>Rafa Esparza<\/strong> (b. 1981, Los Angeles, CA) \/\u00a0<strong>Lauren Davis Fisher<\/strong> (b. 1984, Cambridge, MA) \/\u00a0<strong>Todd Gray<\/strong> (b. 1954, Los Angeles, CA) \/\u00a0<strong>Joel Holmberg<\/strong> (b. 1982, Bethesda, MD) \/\u00a0<strong>Margaret Honda<\/strong> (b. 1961, San Diego, CA) \/\u00a0<strong>Arthur Jafa<\/strong> (b. 1960, Tupelo, MS) \/ <strong>Labor Link TV<\/strong> (est. 1988; Fred Lonidier, b. 1942, Lakeview, OR) \/\u00a0<strong>Laida Lertxundi<\/strong> (b. 1981, Bilbao, Spain) \/\u00a0<strong>Adam Linder<\/strong> (b. 1983, Sydney, Australia) \/\u00a0<strong>Guthrie Lonergan<\/strong> (b. 1984, Los Angeles, CA) \/\u00a0<strong>Rebecca Morris<\/strong> (b.1969, Honolulu, HI) \/\u00a0<strong>Shahryar Nashat<\/strong> (b. 1975, Geneva, Switzerland) \/\u00a0<strong>Silke Otto-Knapp<\/strong> (b.1970, Osnabr\u00fcck, Germany) \/\u00a0<strong>Gala Porras-Kim<\/strong> (b. 1984, Bogot\u00e1, Colombia) \/\u00a0<strong>Sterling Ruby<\/strong> (b. 1972, Bitburg, Germany) \/\u00a0<strong>Aram Saroyan<\/strong> (b. 1943, New York, NY) \/\u00a0<strong>Kenzi Shiokava<\/strong> (b. 1938, S\u00e3o Paulo, Brazil) \/\u00a0<strong>Daniel R. Small<\/strong> (b.1984, Centralia, IL) \/\u00a0<strong>Wadada Leo Smith<\/strong> (b.1941, Leland, MS) \/\u00a0<strong>Martine Syms<\/strong> (b. 1988, Los Angeles, CA) \/\u00a0<strong>Kenneth Tam<\/strong> (b. 1982, New York, NY) \/\u00a0<strong>Mark Verabioff<\/strong> (b. 1963, Kingston, Canada) \/\u00a0<strong>Dena Yago<\/strong> (b. 1988, New York, NY)\r\n\r\n<iframe src=\"https:\/\/player.vimeo.com\/video\/152334449\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n<p class=\"p1\"><strong>Catalogue<\/strong><\/p>\r\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only is accompanied by a fully-illustrated catalogue that functions as an extension of the exhibition. Built around a broad range of material, developed in collaboration with each participating artist and contributor, the catalogue includes commissioned essays and texts by artists, curators, critics, and writers, including George Clark, Mar\u00eda Palacios Cruz, Raquel Guti\u00e9rrez, Sandy Lajer, Sarah Lehrer-Graiwer, Sohrab Mohebbi, Ed Moses, Janet Sarbanes, Rachelle Sawatsky, Kitty Scott, Oscar Tuazon, and Robert Wilhite. The catalogue is designed by Joseph Logan Design, a New York-based design studio, and is co-published with DelMonico Books, an imprint of Prestel Publishing.<\/p>\r\n<p class=\"p1\"><strong>Programs<\/strong><\/p>\r\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only will be accompanied by a robust schedule of free public programs, including live performances, film screenings, a music series, conversations among participating artists, and student events. Programming information will be announced in May at <a href=\"https:\/\/hammer.ucla.edu\/\" target=\"_blank\">www.hammer.ucla.edu<\/a>.<\/p>\r\n<p class=\"p1\"><\/p>\r\n<p class=\"p1\"><\/p>\r\n<a href=\"https:\/\/hammer.ucla.edu\/made-in-la-2016\/\" target=\"_blank\">hammer.ucla.edu\/made-in-la-2016<\/a>[:en]<p class=\"p2\">The third iteration of the Hammer\u2019s biennial exhibition continues to highlight the practices of artists working throughout Los Angeles and the surrounding areas.<\/p>\r\n<p class=\"p3\">As part of an ongoing series, <em>Made in L.A. 2016: a, the, though, only<\/em>\u00a0addresses Los Angeles as a center of activity inseparable from the global network of art production and reveals how artists move fluidly between contexts and respond to their local conditions.Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> extends into such disciplines as dance, fashion, literature, music, film, and performance.<\/p>\r\n<p class=\"p3\">Rather than a unifying regional aesthetic, sensibility, or identity historically associated with Los Angeles, <em>Made in L.A. 2016<\/em> focuses on artists from different disciplinary backgrounds, allowing individual projects and bodies of work to shape the overall exhibition. It features condensed monographic surveys, comprehensive displays of multiyear projects, the premiere of new bodies of work, and newly commissioned works from emerging artists.<\/p>\r\n<p class=\"p3\">Organized by Hammer curator Aram Moshayedi and Hamza Walker, Director of Education and Associate Curator at the Renaissance Society in Chicago, <em>Made in L.A. 2016<\/em> is on view June 12 \u2013 August 28, 2016 at the Hammer Museum. Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> includes 26 contributing artists and participants.<\/p>\r\n<strong>Participants:<\/strong>\r\n\r\n<strong>Kelly Akashi<\/strong> (b. 1983, Los Angeles, CA) \/\u00a0<strong>Huguette Caland<\/strong> (b. 1931, Beirut, Lebanon) \/\u00a0<strong>Eckhaus Latta<\/strong> (est. 2011; Zoe Latta, b. 1987, Santa Cruz, CA, Mike Eckhaus, b. 1987, New York, NY) <span class=\"s1\">\/\u00a0<\/span><strong>Rafa Esparza<\/strong> (b. 1981, Los Angeles, CA) \/\u00a0<strong>Lauren Davis Fisher<\/strong> (b. 1984, Cambridge, MA) \/\u00a0<strong>Todd Gray<\/strong> (b. 1954, Los Angeles, CA) \/\u00a0<strong>Joel Holmberg<\/strong> (b. 1982, Bethesda, MD) \/\u00a0<strong>Margaret Honda<\/strong> (b. 1961, San Diego, CA) \/\u00a0<strong>Arthur Jafa<\/strong> (b. 1960, Tupelo, MS) \/ <strong>Labor Link TV<\/strong> (est. 1988; Fred Lonidier, b. 1942, Lakeview, OR) \/\u00a0<strong>Laida Lertxundi<\/strong> (b. 1981, Bilbao, Spain) \/\u00a0<strong>Adam Linder<\/strong> (b. 1983, Sydney, Australia) \/\u00a0<strong>Guthrie Lonergan<\/strong> (b. 1984, Los Angeles, CA) \/\u00a0<strong>Rebecca Morris<\/strong> (b.1969, Honolulu, HI) \/\u00a0<strong>Shahryar Nashat<\/strong> (b. 1975, Geneva, Switzerland) \/\u00a0<strong>Silke Otto-Knapp<\/strong> (b.1970, Osnabr\u00fcck, Germany) \/\u00a0<strong>Gala Porras-Kim<\/strong> (b. 1984, Bogot\u00e1, Colombia) \/\u00a0<strong>Sterling Ruby<\/strong> (b. 1972, Bitburg, Germany) \/\u00a0<strong>Aram Saroyan<\/strong> (b. 1943, New York, NY) \/\u00a0<strong>Kenzi Shiokava<\/strong> (b. 1938, S\u00e3o Paulo, Brazil) \/\u00a0<strong>Daniel R. Small<\/strong> (b.1984, Centralia, IL) \/\u00a0<strong>Wadada Leo Smith<\/strong> (b.1941, Leland, MS) \/\u00a0<strong>Martine Syms<\/strong> (b. 1988, Los Angeles, CA) \/\u00a0<strong>Kenneth Tam<\/strong> (b. 1982, New York, NY) \/\u00a0<strong>Mark Verabioff<\/strong> (b. 1963, Kingston, Canada) \/\u00a0<strong>Dena Yago<\/strong> (b. 1988, New York, NY)\r\n\r\n<iframe src=\"https:\/\/player.vimeo.com\/video\/152334449\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n<p class=\"p1\"><strong>Catalogue<\/strong><\/p>\r\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only is accompanied by a fully-illustrated catalogue that functions as an extension of the exhibition. Built around a broad range of material, developed in collaboration with each participating artist and contributor, the catalogue includes commissioned essays and texts by artists, curators, critics, and writers, including George Clark, Mar\u00eda Palacios Cruz, Raquel Guti\u00e9rrez, Sandy Lajer, Sarah Lehrer-Graiwer, Sohrab Mohebbi, Ed Moses, Janet Sarbanes, Rachelle Sawatsky, Kitty Scott, Oscar Tuazon, and Robert Wilhite. The catalogue is designed by Joseph Logan Design, a New York-based design studio, and is co-published with DelMonico Books, an imprint of Prestel Publishing.<\/p>\r\n<p class=\"p1\"><strong>Programs<\/strong><\/p>\r\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only will be accompanied by a robust schedule of free public programs, including live performances, film screenings, a music series, conversations among participating artists, and student events. Programming information will be announced in May at <a href=\"https:\/\/hammer.ucla.edu\/\" target=\"_blank\">www.hammer.ucla.edu<\/a>.<\/p>\r\n<p class=\"p1\"><\/p>\r\n<p class=\"p1\"><\/p>\r\n<a href=\"https:\/\/hammer.ucla.edu\/made-in-la-2016\/\" target=\"_blank\">hammer.ucla.edu\/made-in-la-2016<\/a>[:fr]<p class=\"p2\">The third iteration of the Hammer\u2019s biennial exhibition continues to highlight the practices of artists working throughout Los Angeles and the surrounding areas.<\/p>\r\n<p class=\"p3\">As part of an ongoing series, <em>Made in L.A. 2016: a, the, though, only<\/em>\u00a0addresses Los Angeles as a center of activity inseparable from the global network of art production and reveals how artists move fluidly between contexts and respond to their local conditions.Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> extends into such disciplines as dance, fashion, literature, music, film, and performance.<\/p>\r\n<p class=\"p3\">Rather than a unifying regional aesthetic, sensibility, or identity historically associated with Los Angeles, <em>Made in L.A. 2016<\/em> focuses on artists from different disciplinary backgrounds, allowing individual projects and bodies of work to shape the overall exhibition. It features condensed monographic surveys, comprehensive displays of multiyear projects, the premiere of new bodies of work, and newly commissioned works from emerging artists.<\/p>\r\n<p class=\"p3\">Organized by Hammer curator Aram Moshayedi and Hamza Walker, Director of Education and Associate Curator at the Renaissance Society in Chicago, <em>Made in L.A. 2016<\/em> is on view June 12 \u2013 August 28, 2016 at the Hammer Museum. Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, <em>Made in L.A. 2016: a, the, though, only<\/em> includes 26 contributing artists and participants.<\/p>\r\n<strong>Participants:<\/strong>\r\n\r\n<strong>Kelly Akashi<\/strong> (b. 1983, Los Angeles, CA) \/\u00a0<strong>Huguette Caland<\/strong> (b. 1931, Beirut, Lebanon) \/\u00a0<strong>Eckhaus Latta<\/strong> (est. 2011; Zoe Latta, b. 1987, Santa Cruz, CA, Mike Eckhaus, b. 1987, New York, NY) <span class=\"s1\">\/\u00a0<\/span><strong>Rafa Esparza<\/strong> (b. 1981, Los Angeles, CA) \/\u00a0<strong>Lauren Davis Fisher<\/strong> (b. 1984, Cambridge, MA) \/\u00a0<strong>Todd Gray<\/strong> (b. 1954, Los Angeles, CA) \/\u00a0<strong>Joel Holmberg<\/strong> (b. 1982, Bethesda, MD) \/\u00a0<strong>Margaret Honda<\/strong> (b. 1961, San Diego, CA) \/\u00a0<strong>Arthur Jafa<\/strong> (b. 1960, Tupelo, MS) \/ <strong>Labor Link TV<\/strong> (est. 1988; Fred Lonidier, b. 1942, Lakeview, OR) \/\u00a0<strong>Laida Lertxundi<\/strong> (b. 1981, Bilbao, Spain) \/\u00a0<strong>Adam Linder<\/strong> (b. 1983, Sydney, Australia) \/\u00a0<strong>Guthrie Lonergan<\/strong> (b. 1984, Los Angeles, CA) \/\u00a0<strong>Rebecca Morris<\/strong> (b.1969, Honolulu, HI) \/\u00a0<strong>Shahryar Nashat<\/strong> (b. 1975, Geneva, Switzerland) \/\u00a0<strong>Silke Otto-Knapp<\/strong> (b.1970, Osnabr\u00fcck, Germany) \/\u00a0<strong>Gala Porras-Kim<\/strong> (b. 1984, Bogot\u00e1, Colombia) \/\u00a0<strong>Sterling Ruby<\/strong> (b. 1972, Bitburg, Germany) \/\u00a0<strong>Aram Saroyan<\/strong> (b. 1943, New York, NY) \/\u00a0<strong>Kenzi Shiokava<\/strong> (b. 1938, S\u00e3o Paulo, Brazil) \/\u00a0<strong>Daniel R. Small<\/strong> (b.1984, Centralia, IL) \/\u00a0<strong>Wadada Leo Smith<\/strong> (b.1941, Leland, MS) \/\u00a0<strong>Martine Syms<\/strong> (b. 1988, Los Angeles, CA) \/\u00a0<strong>Kenneth Tam<\/strong> (b. 1982, New York, NY) \/\u00a0<strong>Mark Verabioff<\/strong> (b. 1963, Kingston, Canada) \/\u00a0<strong>Dena Yago<\/strong> (b. 1988, New York, NY)\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https:\/\/player.vimeo.com\/video\/152334449\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n<p class=\"p1\"><strong>Catalogue<\/strong><\/p>\r\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only is accompanied by a fully-illustrated catalogue that functions as an extension of the exhibition. Built around a broad range of material, developed in collaboration with each participating artist and contributor, the catalogue includes commissioned essays and texts by artists, curators, critics, and writers, including George Clark, Mar\u00eda Palacios Cruz, Raquel Guti\u00e9rrez, Sandy Lajer, Sarah Lehrer-Graiwer, Sohrab Mohebbi, Ed Moses, Janet Sarbanes, Rachelle Sawatsky, Kitty Scott, Oscar Tuazon, and Robert Wilhite. The catalogue is designed by Joseph Logan Design, a New York-based design studio, and is co-published with DelMonico Books, an imprint of Prestel Publishing.<\/p>\r\n<p class=\"p1\"><strong>Programs<\/strong><\/p>\r\n<p class=\"p1\">Made in L.A. 2016: a, the, though, only will be accompanied by a robust schedule of free public programs, including live performances, film screenings, a music series, conversations among participating artists, and student events. Programming information will be announced in May at <a href=\"https:\/\/hammer.ucla.edu\/\" target=\"_blank\">www.hammer.ucla.edu<\/a>.<\/p>\r\n<p class=\"p1\"><\/p>\r\n<p class=\"p1\"><\/p>\r\n<a href=\"https:\/\/hammer.ucla.edu\/made-in-la-2016\/\" target=\"_blank\">hammer.ucla.edu\/made-in-la-2016<\/a>[:]","post_excerpt":""},"acf":{"video_url":null,"Dachzeile":null,"short_teaser":null,"modul_1":null,"modul_4":null,"modul_5":null,"modul_2":null,"modul_3":null,"weitere_shortcodes":null,"teaser":null,"smys":null,"image_only_slide":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Made in L.A. 2016: a, the, though, only - Contemporary And<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Made in L.A. 2016: a, the, though, only - Contemporary And\" \/>\n<meta name=\"twitter:description\" content=\"The third iteration of the Hammer\u2019s biennial exhibition continues to highlight the practices of artists working throughout Los Angeles and the surrounding areas. As part of an ongoing series, Made in L.A. 2016: a, the, though, only\u00a0addresses Los Angeles as a center of activity inseparable from the global network of art production and reveals how [&hellip;]\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/3.230.254.106\/wp-content\/uploads\/2016\/07\/image.jpg\" \/>\n<meta name=\"twitter:site\" content=\"@contemporaryand\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/\",\"url\":\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/\",\"name\":\"Made in L.A. 2016: a, the, though, only - Contemporary And\",\"isPartOf\":{\"@id\":\"http:\/\/3.230.254.106\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/#primaryimage\"},\"image\":{\"@id\":\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/3.230.254.106\/wp-content\/uploads\/2016\/07\/image.jpg\",\"datePublished\":\"2016-07-01T13:49:03+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[[\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/\"]]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/#primaryimage\",\"url\":\"http:\/\/3.230.254.106\/wp-content\/uploads\/2016\/07\/image.jpg\",\"contentUrl\":\"http:\/\/3.230.254.106\/wp-content\/uploads\/2016\/07\/image.jpg\",\"width\":1560,\"height\":780},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/3.230.254.106\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Events\",\"item\":\"http:\/\/3.230.254.106\/fr\/exhibition\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Made in L.A. 2016: a, the, though, only\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/3.230.254.106\/fr\/#website\",\"url\":\"http:\/\/3.230.254.106\/fr\/\",\"name\":\"Contemporary And\",\"description\":\"Contemporary And (C&amp;) est un espace dynamique d\u00e9di\u00e9 \u00e0 la r\u00e9flexion et la mise en relation d&#039;id\u00e9es, de d\u00e9bats et d&#039;informations sur la pratique artistique contemporaine issue de diverses perspectives africaines.\",\"publisher\":{\"@id\":\"http:\/\/3.230.254.106\/fr\/#organization\"},\"alternateName\":\"C&\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/3.230.254.106\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/3.230.254.106\/fr\/#organization\",\"name\":\"Contemporary And\",\"alternateName\":\"C&\",\"url\":\"http:\/\/3.230.254.106\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"http:\/\/3.230.254.106\/fr\/#\/schema\/logo\/image\/\",\"url\":\"http:\/\/3.230.254.106\/wp-content\/uploads\/2022\/05\/cand_site_logo_140.png\",\"contentUrl\":\"http:\/\/3.230.254.106\/wp-content\/uploads\/2022\/05\/cand_site_logo_140.png\",\"width\":140,\"height\":78,\"caption\":\"Contemporary And\"},\"image\":{\"@id\":\"http:\/\/3.230.254.106\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/contemporaryand\",\"https:\/\/x.com\/contemporaryand\",\"https:\/\/instagram.com\/contemporaryand\",\"https:\/\/www.youtube.com\/user\/Contemporaryand\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Made in L.A. 2016: a, the, though, only - Contemporary And","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/3.230.254.106\/fr\/exhibition\/made-in-l-a-2016-a-the-though-only-2\/","twitter_card":"summary_large_image","twitter_title":"Made in L.A. 2016: a, the, though, only - Contemporary And","twitter_description":"The third iteration of the Hammer\u2019s biennial exhibition continues to highlight the practices of artists working throughout Los Angeles and the surrounding areas. 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