{"id":15029,"date":"2015-09-28T10:26:53","date_gmt":"2015-09-28T09:26:53","guid":{"rendered":"http:\/\/3.230.254.106\/?post_type=exhibition&p=15029"},"modified":"2015-11-21T05:40:49","modified_gmt":"2015-11-21T05:40:49","slug":"the-chimurenga-library","status":"publish","type":"exhibition","link":"http:\/\/3.230.254.106\/fr\/exhibition\/the-chimurenga-library\/","title":{"rendered":"The Chimurenga Library"},"content":{"rendered":"

The Showroom and The Otolith Collective present the Cape Town-based collective\u00a0Chimurenga<\/a>. For this, their first UK presentation, Chimurenga will infiltrate The Showroom’s building in the form of The Chimurenga Library, inserting themselves into the existing frameworks, functions and structures of the space without displacing its everyday activities.<\/p>\n

Founded by Ntone Edjabe in 2002, Chimurenga (a Shona word that loosely translates as \u00ab\u00a0struggle for freedom\u00a0\u00bb) is at the centre of vibrant new cultural projection across Africa, which includes championing new music, literature and visual arts.\u00a0Drawing together myriad voices from across Africa and the diaspora, Chimurenga takes many forms operating as an innovative platform for free ideas and political reflection about Africa by Africans.\u00a0Outputs include a journal of culture, art and politics of the same name, a quarterly broadsheet called The Chronic, The Chimurenga Library\u2014an online resource of collected independent pan-African periodicals and personal books, and the Pan African Space Station (PASS)\u2014an online music radio station and pop-up studio.<\/p>\n

For the first week The Chimurenga Library will play host to\u00a0PASS<\/strong>\u00a0with a live broadcasting programme\u00a0<\/a>of music, interviews and events with Chimurenga collaborators in London including musicians, journalists, writers, curators and filmmakers.\u00a0The live broadcast studio will function amidst a major cartographic installation, mapping a series of \u00ab\u00a0routes\u00a0\u00bb\u00a0running throughout the building between the two floors.\u00a0These taped routes will link ideas with people, writing, research, music, publications, record cover design and other materials. Other events will take place off-site in different venues, extending these \u00ab\u00a0routes\u00a0\u00bb\u00a0still further. After the live broadcast studio closes, the sounds and images generated in this process will live on as part of the library installation until the show closes.<\/p>\n

Areas of interest will include the work of designer George Hallett\u2014who used the book jacket and record sleeve as a curated exhibition space during the apartheid era; a critical look at the concept of and crude distinction drawn between Sub-Saharan and Arab Africa; and FESTAC ’77, The Second World Black Festival of Arts and Culture held in Lagos.<\/p>\n

Working with many UK collaborators such as the London-based collective Sorryyoufeeluncomfortable and UK participants of FESTAC ’77: ideas, thinking and debate will move fluidly between events, environments, broadcasts, music and sound recordings, publications, archive material and objects.<\/p>\n

Bringing together existing work, research material and areas of interest whilst at the same time expanding focal points, the project represents a moment of activation, interaction and expansion within a mobile and complex network of geographical and organisational contexts.<\/p>\n

Participants in the\u00a0PASS programme<\/strong>\u00a0include: Agency for Agency, Christine Eyene, Shabaka Hutchings, Dego (2000 Black), Pass Me the Microphone (Amanprit Sandhu and Hansi Momodu-Gordon), Jenny Mbaye, Sorryyoufeeluncomfortable, Audrey Brown, Matthew Temple, Anthony Josephs, Ayesha Hameed, Phoebe Boswell, Tom Skinner, Larry Achiampong, Elvira Dyangani Ose, Christian Nyampeta, Funsho Ogundipe, Ros Gray, Henriette Gunkel, Michael McMillan and Paul Bradshaw.<\/p>\n

A detailed PASS programme will be available shortly before each broadcast.<\/p>\n

After the live broadcast studio closes, the sounds and images generated in this process will live on as part of the installation until the exhibition closes.<\/p>\n

The project is co-curated by Chimurenga, The Otolith Collective and The Showroom, and has been supported by the SA-UK Seasons 2014 & 2015, a partnership between the Department of Arts and Culture, South Africa and the British Council. The project is also generously supported by Wendy Fisher and Caro MacDonald, with additional support from Kathy Robins. With thanks to Robert Devereux.<\/p>\n

Preview: October 7, 6:30\u20138:30pm<\/strong><\/p>\n

Pan African Space Station (PASS)<\/a>,\u00a0Live broadcasts: 7 \u2013 11 October, 2\u20138pm
\n<\/strong>Extended exhibition opening hours during PASS: 12\u20138pm<\/strong><\/p>\n

Chimurenga<\/a>,<\/strong>\u00a0founded in 2002 and based in Cape Town, is a project-based mutable object: a print magazine, a publisher, a broadcaster, a workspace, a platform for editorial and curatorial activities and an online resource.<\/p>\n

The Otolith Collective<\/a><\/strong>\u00a0is a publicly funded, not-for-profit arts organisation run by Kodwo Eshun and Anjalika Sagar of the award-winning artist collective The Otolith Group. The Otolith Collective curates exhibitions, seminars and screening programmes with museums, galleries and foundations.<\/p>\n

The Showroom<\/a><\/strong>\u00a0is a space for contemporary art that is focused on a collaborative and process-driven approach to production; be that artwork, exhibitions, discussions, publications, knowledge or relationships.<\/p>\n

The Showroom
\n63 Penfold Street
\nLondon NW8 8PQ
\nUnited Kingdom<\/p>\n

www.theshowroom.org<\/a><\/p>\n

www.otolithgroup.org<\/a><\/p>\n

www.chimurenga.co.za<\/a><\/p>","protected":false},"featured_media":15054,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"exh_abstract":"(EN) For their first UK presentation, the collective will infiltrate The Showroom's building, inserting themselves into the existing frameworks, functions and structures of the space without displacing its everyday activities.","exh_gallery":"The Showroom ","exh_city":"London","exh_country":"united_kingdom","exh_startdate":"20151008","exh_enddate":"20151121","exh_caption":"Chimurenga Library at Cape Town Central Library, 2009. Courtesy Chimurenga.","exh_slideshow":"0","exh_sidebarposts1":"574","exh_sidebarposts2":"0","exh_sidebarposts3":"0","exh_sidebarposts4":"0","exh_relatedcontent1":0,"exh_relatedcontent2":0,"exh_relatedcontent3":0,"exh_relatedcontent4":0,"exh_relatedcontent5":0,"exh_relatedcontent6":0,"exh_relatedcontent7":0,"exh_relatedcontent8":0,"_thumbnail_id":15054,"_exhibition_photo":13054,"_links_to":"","_links_to_target":""},"tags":[635,418,667],"exhibition-type":[5,6],"opportunity-type":[],"class_list":["post-15029","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","tag-chimurenga","tag-george-hallett","tag-the-otolith-group","exhibition-type-events","exhibition-type-exhibitions"],"core_raw":{"post_title":"The Chimurenga Library","post_content":"[:de]The Showroom and The Otolith Collective present the Cape Town-based collective\u00a0Chimurenga<\/a>. For this, their first UK presentation, Chimurenga will infiltrate The Showroom's building in the form of The Chimurenga Library, inserting themselves into the existing frameworks, functions and structures of the space without displacing its everyday activities.\r\n\r\nFounded by Ntone Edjabe in 2002, Chimurenga (a Shona word that loosely translates as \"struggle for freedom\") is at the centre of vibrant new cultural projection across Africa, which includes championing new music, literature and visual arts.\u00a0Drawing together myriad voices from across Africa and the diaspora, Chimurenga takes many forms operating as an innovative platform for free ideas and political reflection about Africa by Africans.\u00a0Outputs include a journal of culture, art and politics of the same name, a quarterly broadsheet called The Chronic, The Chimurenga Library\u2014an online resource of collected independent pan-African periodicals and personal books, and the Pan African Space Station (PASS)\u2014an online music radio station and pop-up studio.\r\n\r\nFor the first week The Chimurenga Library will play host to\u00a0PASS<\/strong>\u00a0with a live broadcasting programme\u00a0<\/a>of music, interviews and events with Chimurenga collaborators in London including musicians, journalists, writers, curators and filmmakers.\u00a0The live broadcast studio will function amidst a major cartographic installation, mapping a series of \"routes\"\u00a0running throughout the building between the two floors.\u00a0These taped routes will link ideas with people, writing, research, music, publications, record cover design and other materials. Other events will take place off-site in different venues, extending these \"routes\"\u00a0still further. After the live broadcast studio closes, the sounds and images generated in this process will live on as part of the library installation until the show closes.\r\n\r\nAreas of interest will include the work of designer George Hallett\u2014who used the book jacket and record sleeve as a curated exhibition space during the apartheid era; a critical look at the concept of and crude distinction drawn between Sub-Saharan and Arab Africa; and FESTAC '77, The Second World Black Festival of Arts and Culture held in Lagos.\r\n\r\nWorking with many UK collaborators such as the London-based collective Sorryyoufeeluncomfortable and UK participants of FESTAC '77: ideas, thinking and debate will move fluidly between events, environments, broadcasts, music and sound recordings, publications, archive material and objects.\r\n\r\nBringing together existing work, research material and areas of interest whilst at the same time expanding focal points, the project represents a moment of activation, interaction and expansion within a mobile and complex network of geographical and organisational contexts.\r\n\r\nParticipants in the\u00a0PASS programme<\/strong>\u00a0include: Agency for Agency, Christine Eyene, Shabaka Hutchings, Dego (2000 Black), Pass Me the Microphone (Amanprit Sandhu and Hansi Momodu-Gordon), Jenny Mbaye, Sorryyoufeeluncomfortable, Audrey Brown, Matthew Temple, Anthony Josephs, Ayesha Hameed, Phoebe Boswell, Tom Skinner, Larry Achiampong, Elvira Dyangani Ose, Christian Nyampeta, Funsho Ogundipe, Ros Gray, Henriette Gunkel, Michael McMillan and Paul Bradshaw.\r\n\r\nA detailed PASS programme will be available shortly before each broadcast.\r\n\r\nAfter the live broadcast studio closes, the sounds and images generated in this process will live on as part of the installation until the exhibition closes.\r\n\r\nThe project is co-curated by Chimurenga, The Otolith Collective and The Showroom, and has been supported by the SA-UK Seasons 2014 & 2015, a partnership between the Department of Arts and Culture, South Africa and the British Council. The project is also generously supported by Wendy Fisher and Caro MacDonald, with additional support from Kathy Robins. With thanks to Robert Devereux.\r\n\r\nPreview: October 7, 6:30\u20138:30pm<\/strong>\r\n\r\nPan African Space Station (PASS)<\/a>,\u00a0Live broadcasts: 7 \u2013 11 October, 2\u20138pm\r\n<\/strong>Extended exhibition opening hours during PASS: 12\u20138pm<\/strong>\r\n\r\nChimurenga<\/a>,<\/strong>\u00a0founded in 2002 and based in Cape Town, is a project-based mutable object: a print magazine, a publisher, a broadcaster, a workspace, a platform for editorial and curatorial activities and an online resource.\r\n\r\nThe Otolith Collective<\/a><\/strong>\u00a0is a publicly funded, not-for-profit arts organisation run by Kodwo Eshun and Anjalika Sagar of the award-winning artist collective The Otolith Group. The Otolith Collective curates exhibitions, seminars and screening programmes with museums, galleries and foundations.\r\n\r\nThe Showroom<\/a><\/strong>\u00a0is a space for contemporary art that is focused on a collaborative and process-driven approach to production; be that artwork, exhibitions, discussions, publications, knowledge or relationships.\r\n\r\nThe Showroom\r\n63 Penfold Street\r\nLondon NW8 8PQ\r\nUnited Kingdom\r\n\r\nwww.theshowroom.org<\/a>\r\n\r\nwww.otolithgroup.org<\/a>\r\n\r\nwww.chimurenga.co.za<\/a>[:en]For their first UK presentation, Chimurenga will infiltrate The Showroom's building in the form of The Chimurenga Library, inserting themselves into the existing frameworks, functions and structures of the space without displacing its everyday activities.\r\n\r\nFounded by Ntone Edjabe in 2002, Chimurenga (a Shona word that loosely translates as \"struggle for freedom\") is at the centre of vibrant new cultural projection across Africa, which includes championing new music, literature and visual arts.\u00a0Drawing together myriad voices from across Africa and the diaspora, Chimurenga takes many forms operating as an innovative platform for free ideas and political reflection about Africa by Africans.\u00a0Outputs include a journal of culture, art and politics of the same name, a quarterly broadsheet called The Chronic, The Chimurenga Library\u2014an online resource of collected independent pan-African periodicals and personal books, and the Pan African Space Station (PASS)\u2014an online music radio station and pop-up studio.\r\n\r\nFor the first week The Chimurenga Library will play host to PASS<\/strong> with a live broadcasting programme <\/a>of music, interviews and events with Chimurenga collaborators in London including musicians, journalists, writers, curators and filmmakers.\u00a0The live broadcast studio will function amidst a major cartographic installation, mapping a series of \"routes\"\u00a0running throughout the building between the two floors.\u00a0These taped routes will link ideas with people, writing, research, music, publications, record cover design and other materials. Other events will take place off-site in different venues, extending these \"routes\"\u00a0still further. After the live broadcast studio closes, the sounds and images generated in this process will live on as part of the library installation until the show closes.\r\n\r\nAreas of interest will include the work of designer George Hallett\u2014who used the book jacket and record sleeve as a curated exhibition space during the apartheid era; a critical look at the concept of and crude distinction drawn between Sub-Saharan and Arab Africa; and FESTAC '77, The Second World Black Festival of Arts and Culture held in Lagos.\r\n\r\nWorking with many UK collaborators such as the London-based collective Sorryyoufeeluncomfortable and UK participants of FESTAC '77: ideas, thinking and debate will move fluidly between events, environments, broadcasts, music and sound recordings, publications, archive material and objects.\r\n\r\nBringing together existing work, research material and areas of interest whilst at the same time expanding focal points, the project represents a moment of activation, interaction and expansion within a mobile and complex network of geographical and organisational contexts.\r\n\r\nParticipants in the PASS programme<\/strong> include: Agency for Agency, Christine Eyene, Shabaka Hutchings, Dego (2000 Black), Pass Me the Microphone (Amanprit Sandhu and Hansi Momodu-Gordon), Jenny Mbaye, Sorryyoufeeluncomfortable, Audrey Brown, Matthew Temple, Anthony Josephs, Ayesha Hameed, Phoebe Boswell, Tom Skinner, Larry Achiampong, Elvira Dyangani Ose, Christian Nyampeta, Funsho Ogundipe, Ros Gray, Henriette Gunkel, Michael McMillan and Paul Bradshaw.\r\n\r\nA detailed PASS programme will be available shortly before each broadcast.\r\n\r\nAfter the live broadcast studio closes, the sounds and images generated in this process will live on as part of the installation until the exhibition closes.\r\n\r\nThe project is co-curated by Chimurenga, The Otolith Collective and The Showroom, and has been supported by the SA-UK Seasons 2014 & 2015, a partnership between the Department of Arts and Culture, South Africa and the British Council. The project is also generously supported by Wendy Fisher and Caro MacDonald, with additional support from Kathy Robins. With thanks to Robert Devereux.\r\n\r\nPreview: October 7, 6:30\u20138:30pm<\/strong>\r\n\r\nPan African Space Station (PASS)<\/a>,\u00a0Live broadcasts: 7 \u2013 11 October, 2\u20138pm\r\n<\/strong>Extended exhibition opening hours during PASS: 12\u20138pm<\/strong>\r\n\r\nChimurenga<\/a>,<\/strong>\u00a0founded in 2002 and based in Cape Town, is a project-based mutable object: a print magazine, a publisher, a broadcaster, a workspace, a platform for editorial and curatorial activities and an online resource.\r\n\r\nThe Otolith Collective<\/a><\/strong> is a publicly funded, not-for-profit arts organisation run by Kodwo Eshun and Anjalika Sagar of the award-winning artist collective The Otolith Group. The Otolith Collective curates exhibitions, seminars and screening programmes with museums, galleries and foundations.\r\n\r\nThe Showroom<\/a><\/strong> is a space for contemporary art that is focused on a collaborative and process-driven approach to production; be that artwork, exhibitions, discussions, publications, knowledge or relationships.\r\n\r\nThe Showroom\r\n63 Penfold Street\r\nLondon NW8 8PQ\r\nUnited Kingdom\r\n\r\nwww.theshowroom.org<\/a>\r\n\r\nwww.otolithgroup.org<\/a>\r\n\r\nwww.chimurenga.co.za<\/a>[:fr]The Showroom and The Otolith Collective present the Cape Town-based collective\u00a0Chimurenga<\/a>. For this, their first UK presentation, Chimurenga will infiltrate The Showroom's building in the form of The Chimurenga Library, inserting themselves into the existing frameworks, functions and structures of the space without displacing its everyday activities.\r\n\r\nFounded by Ntone Edjabe in 2002, Chimurenga (a Shona word that loosely translates as \"struggle for freedom\") is at the centre of vibrant new cultural projection across Africa, which includes championing new music, literature and visual arts.\u00a0Drawing together myriad voices from across Africa and the diaspora, Chimurenga takes many forms operating as an innovative platform for free ideas and political reflection about Africa by Africans.\u00a0Outputs include a journal of culture, art and politics of the same name, a quarterly broadsheet called The Chronic, The Chimurenga Library\u2014an online resource of collected independent pan-African periodicals and personal books, and the Pan African Space Station (PASS)\u2014an online music radio station and pop-up studio.\r\n\r\nFor the first week The Chimurenga Library will play host to\u00a0PASS<\/strong>\u00a0with a live broadcasting programme\u00a0<\/a>of music, interviews and events with Chimurenga collaborators in London including musicians, journalists, writers, curators and filmmakers.\u00a0The live broadcast studio will function amidst a major cartographic installation, mapping a series of \"routes\"\u00a0running throughout the building between the two floors.\u00a0These taped routes will link ideas with people, writing, research, music, publications, record cover design and other materials. Other events will take place off-site in different venues, extending these \"routes\"\u00a0still further. After the live broadcast studio closes, the sounds and images generated in this process will live on as part of the library installation until the show closes.\r\n\r\nAreas of interest will include the work of designer George Hallett\u2014who used the book jacket and record sleeve as a curated exhibition space during the apartheid era; a critical look at the concept of and crude distinction drawn between Sub-Saharan and Arab Africa; and FESTAC '77, The Second World Black Festival of Arts and Culture held in Lagos.\r\n\r\nWorking with many UK collaborators such as the London-based collective Sorryyoufeeluncomfortable and UK participants of FESTAC '77: ideas, thinking and debate will move fluidly between events, environments, broadcasts, music and sound recordings, publications, archive material and objects.\r\n\r\nBringing together existing work, research material and areas of interest whilst at the same time expanding focal points, the project represents a moment of activation, interaction and expansion within a mobile and complex network of geographical and organisational contexts.\r\n\r\nParticipants in the\u00a0PASS programme<\/strong>\u00a0include: Agency for Agency, Christine Eyene, Shabaka Hutchings, Dego (2000 Black), Pass Me the Microphone (Amanprit Sandhu and Hansi Momodu-Gordon), Jenny Mbaye, Sorryyoufeeluncomfortable, Audrey Brown, Matthew Temple, Anthony Josephs, Ayesha Hameed, Phoebe Boswell, Tom Skinner, Larry Achiampong, Elvira Dyangani Ose, Christian Nyampeta, Funsho Ogundipe, Ros Gray, Henriette Gunkel, Michael McMillan and Paul Bradshaw.\r\n\r\nA detailed PASS programme will be available shortly before each broadcast.\r\n\r\nAfter the live broadcast studio closes, the sounds and images generated in this process will live on as part of the installation until the exhibition closes.\r\n\r\nThe project is co-curated by Chimurenga, The Otolith Collective and The Showroom, and has been supported by the SA-UK Seasons 2014 & 2015, a partnership between the Department of Arts and Culture, South Africa and the British Council. The project is also generously supported by Wendy Fisher and Caro MacDonald, with additional support from Kathy Robins. With thanks to Robert Devereux.\r\n\r\nPreview: October 7, 6:30\u20138:30pm<\/strong>\r\n\r\nPan African Space Station (PASS)<\/a>,\u00a0Live broadcasts: 7 \u2013 11 October, 2\u20138pm\r\n<\/strong>Extended exhibition opening hours during PASS: 12\u20138pm<\/strong>\r\n\r\nChimurenga<\/a>,<\/strong>\u00a0founded in 2002 and based in Cape Town, is a project-based mutable object: a print magazine, a publisher, a broadcaster, a workspace, a platform for editorial and curatorial activities and an online resource.\r\n\r\nThe Otolith Collective<\/a><\/strong>\u00a0is a publicly funded, not-for-profit arts organisation run by Kodwo Eshun and Anjalika Sagar of the award-winning artist collective The Otolith Group. The Otolith Collective curates exhibitions, seminars and screening programmes with museums, galleries and foundations.\r\n\r\nThe Showroom<\/a><\/strong>\u00a0is a space for contemporary art that is focused on a collaborative and process-driven approach to production; be that artwork, exhibitions, discussions, publications, knowledge or relationships.\r\n\r\nThe Showroom\r\n63 Penfold Street\r\nLondon NW8 8PQ\r\nUnited Kingdom\r\n\r\nwww.theshowroom.org<\/a>\r\n\r\nwww.otolithgroup.org<\/a>\r\n\r\nwww.chimurenga.co.za<\/a>[:]","post_excerpt":""},"acf":{"video_url":null,"Dachzeile":"","short_teaser":null,"modul_1":null,"modul_4":null,"modul_5":null,"modul_2":null,"modul_3":null,"weitere_shortcodes":null,"teaser":null,"smys":null,"image_only_slide":null},"yoast_head":"\nThe Chimurenga Library - Contemporary And<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/3.230.254.106\/fr\/exhibition\/the-chimurenga-library\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"The Chimurenga Library - Contemporary And\" \/>\n<meta name=\"twitter:description\" content=\"The Showroom and The Otolith Collective present the Cape Town-based collective\u00a0Chimurenga. For this, their first UK presentation, Chimurenga will infiltrate The Showroom’s building in the form of The Chimurenga Library, inserting themselves into the existing frameworks, functions and structures of the space without displacing its everyday activities. 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