A Collector’s Guide to São Paulo | Contemporary And

Opinion

A Collector’s Guide to São Paulo

Places

A Collector’s Guide to São Paulo

Curated by ISE-DA and 1-54 to coincide the 36th São Paulo Biennial, this selection of Afro-Brazilian spaces and artists reflects a climate of exchange

Kwesi Botchway, Green Fluffy Coat, Detail, 2020. Acrylic on canvas, 78.7 x 78.7 cm / 31 x 31 in. Courtesy of Gallery 1957.

Opinion

La dignité sous contrainte : la peinture figurative panafricaine au-delà du marché de l’art international

Des subtilités de l’essor et du déclin présumés de la peinture figurative panafricaine.

Installation view of ’60 Years: the NCAI Collection’ at the Nairobi Contemporary Art Institute, Kenya.

Letter from Nairobi

An Exhibition Aims at Accessibility Against a Backdrop of Protest in Kenya’s Capital

Mūhunyo Maina reviews a pertinent exhibition at NCAI, following protests against the 2024 Finance Bill, exploring ways to democratize art viewing.

Installation view at John Randle Centre for Yoruba Culture & History. Courtesy of Obinna Emelike

Museum for Yoruba Culture and History

Five Things You Need to Know About the John Randle Center Before It Opens

C& author Obidike Okafor shares what to expect from the new architectural marvel in Nigeria’s art capital.

Zohra Opoku,‘I am the one who shines, the one who is above the district of the sky. I go forth to the sky. I climb upon the sun’s rays. O, I am weary, I am weary, (yet) I proceed.', (Detail) 2023. Courtesy of the artist and Mariane Ibrahim

15th Dakar Biennale

The Off is On! Why We Should All Still Be in Dakar

Here, Black Pages from Dakar shares a long list of exciting exhibitions and events taking place alongside the OFF Biennale.

Installation View

The BENIN BRONZES Roundtables

La restitution des bronzes du Bénin : patrimoine du passé ou une voie vers l’avenir ?

Agwu Enekwachi a récemment participé à une table ronde organisée à Abuja sur la mobilisation et les actions en faveur de la restitution promise.

Acts of Opening Again: A Choreography of Conviviality, Haus der Kulturen der Welt (HKW), 3.6.2023. Photo: Mathias Völzke/HKW

Haus der Kulturen der Welt

Amplifying the Creative Structures at HKW

Edna Bonhomme examines how a Berlin institution pays tribute to anti-colonial feminists and applauds its new international team.

Heiko-Thandeka Ncube, The early rains which wash away the chaff before the spring rains, 2023. Video, 12 mins, film still.

Essay

Every Straw Is a Straw Too Much

Bonaventure Soh Bejeng Ndikung on the psychological burden of being racialized while doing art.

(Clockwise) Guest Artist Space Foundation in Lagos by Yinka Shonibare; Black Rock Senegal in Dakar by artist Kehinde Wiley; dot. Ateliers in Accra by Amoako Boafo; Lusaka Contemporary Art Centre by Victor Mutelekesha; Nairobi Contemporary Art Institute by Michael Armitage.

African Art Hubs

Des institutions développent des scènes artistiques qui répondent à des besoins artistiques communs

Comment les nouveaux centres artistiques d’Accra à Antananarivo interagissent avec les efforts collectifs actuels ?

Torkwase Dyson, Liquid A Place, 2023. Homme Adams Park 72500 Thrush Road, Palm Desert at Desert X. Photography courtesy of Lance Gerber.

Ecologies

Situer la Blackness dans les écologies intimes

Ama Josephine Budge réfléchit à la manière de résister au colonialisme climatique.

Peter Obi as Symbol of a new Nigeria by Douglas Jonn.

Nigeria’s Obidient Movement

Art in Support of Political Change

Peter Obi stirred an outpour of hope during the Nigerian elections. Agwu Enekwachi looks at some of the artworks made to reflect that spirit.

Art History Institute (KHI) of Freie Universität Berlin (FU), streetview. Source: Jonah Langkau

Open Letter

Decolonial Visions at the Institute of Art History of Freie Universität Berlin

The Student Working Group for an Anti-racist and Anti-Colonial Art History of Freie Universität Berlin has written an open letter. Read it here.

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