Exhibition

Em’kal Eyongakpa, untitled 11, ok-ko, 2018. Mycelium culture, pigments, coconut shells, plant fibre, electric wires. c.110 x 150 x 5cm. Studio view, Mbi-Avareh E.E.E. farms. Courtesy of the artist, ɛfúkúyú, Bɔ́ Bɛtɔk

Exhibition

Em’kal Eyongakpa: Tahjèsè #3i / barɨŋ báchɔ́kɔrɔk #4

The Showroom
Londres

Lakin Ogunbanwo, Let it Be. Courtesy the artist.

Exhibition

Lakin Ogunbanwo: e wá wo mi and Are We Good Enough

Niki Cryan Gallery
Lagos

Tahir Carl Karmali. PAPER:landscape, 2017. Handmade paper pulped from photocopied government-issued identification documents and commercial paper; with aluminum mesh, photocopy collage, rust transfer, and other mixed media collage. Installation dimensions variable. Courtesy the artist. © 2019 the artist.

Exhibition

Emma Nishimura and Tahir Carl Karmali: Paper Borders

International Print Center New York
New York

Lina Iris Viktor, from Dark Continent, 2018-9, (detail) Courtesy of the Artist and Mariane Ibrahim Gallery.

Exhibition

Lina Iris Viktor
: Some Are Born To Endless Night — Dark Matter

Autograph ABP
Londres

Installation view, Rock My Soul, curated by Isaac Julien. Left to right: Njideka Akunyili Crosby, Remain: Thriving, 2018; Wangechi Mutu, She Walks, 2019. © the artists, courtesy the artists and Victoria Miro, London

Exhibition

Rock My Soul – Group Show

Victoria Miro Gallery II
Londres

Works by Mark Bradford, Julie Mehretu, Martin Puryear, and Jack Whitten on view in Generations: A History of Black Abstract Art. Photo: Maximilian Franz.

Exhibition

Generations: A History of Black Abstract Art

The Baltimore Museum of Art
Baltimore

KARA WALKER, “Testimony: Narrative of a Negress Burdened by Good Intentions,” 2004 (DVD video, boxed with cut paper silhouettes, beta master; 8 minutes, 49 seconds). | © Kara Walker, via Spruth Magers

Exhibition

From Black and White to Living Color: The Collected Motion Pictures and Accompanying Documents of Kara E. Walker, Artist.

Sprüth Magers
Londres

From left, MARY SIBANDE, “Living Memory,” 2011 (archival digital print, 126 x 87 cm) and “I Put A Spell On Me,” 2009 (archival digital print, 90 x 60 cm). | via Somerset House

Exhibition

Mary Sibande: I Came Apart At The Seams

Somerset House
Londres

Simnikiwe Buhlungu, Research image for Notes to Self: A Mixtapenyana, 2019 / ongoing. Cassette tape recording at the Wysing Arts Centre, Cambridge and London, UK as part of the Future Assembly Residency. Courtesy of the artist.

Exhibition

Simnikiwe Buhlungu: Notes to Self (Intimate 1)

The Showroom
Londres

Mark Bradford, The path to the river belongs to animals, Courtesy of Hauser & Wirth

Exhibition

Mark Bradford: Cerberus

Hauser & Wirth
Londres

Sony Cissé, Oil on canvas, 2018. Courtesy the artist and Galerie Chauvy

Exhibition

Soly Cissé: Un Paysage Animal

Galerie Chauvy
Paris

“Rumors of War” © 2019 Kehinde Wiley. Used by permission. Presented by Times Square Arts in partnership with the Virginia Museum of Fine Art and Sean Kelly, New York. | Photo by Kylie Corwin for Kehinde Wiley

Exhibition

Kehinde Wiley : Rumors of War

Broadway Plaza between 46th and 47th Streets
New York

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